“The Mechanic: Resurrection” is going to seem like two different movies to different audience members. In fact, your reaction to it might suggest you are, in general, a pessimist or an optimist. “This is an oldfashioned action movie — oh boy!” .
The new suspense movie “Don’t Breathe” has been advertised as if it were something out of the ordinary. It isn’t. If you’ve seen the theatrical trailer, you know all you need to know about this little film. .
“Kubo and the Two Strings” is a new animated movie. Its Asian-fusion visual style mixes fake puppet stop-action look material with toy theater depth devices and a whole mess of references to origami. And that all works fairly well. The .
Sometimes those of us who are clued in about certain subjects may be surprised to discover that, for example, not everyone knows who the Kardashians are or how many inches of displacement the standard V6 for the 1962 Buick Special turned .
Hollywood does a much better job of merging animation and live action than it did in 1977. That’s the year Mickey Rooney, Helen Reddy, Red Buttons, Jim Dale, Shelley Winters, Jane Kean, Jim Backus (!), Jeff Conaway, and Charlie Callas starred .
There is some controversy surrounding the new, fairly big-budget comic book movie “Suicide Squad.” This was going to happen. We seem to have reached the stall point in the arc of enthusiasm for each new super-hero picture. Now it isn’.
One of the summer’s happier cinematic surprises is Barry Sonnenfeld’s “Nine Lives.” It depends on a weak and tired movie premise that one associates with “The Shaggy Dog”—a human’s consciousness is housed temporarily in the body .
Sometimes comedy gains by surprise. The frequency with which recent movie comedies depend on coarse language means the audience can’t be much surprised by it. Which partly explains why regular moviegoers don’t laugh much during any Seth Rogan .
Some stories go along for much of their length without being very interesting. Then late, when their central problem is clear, we get a little rush knowing events are speeding up and the conclusion is at hand. The new suspense .
This summer, more than ever before, movie comedies have insisted on their timeliness by including a lot of expletives and references to sex acts and biological elimination in their dialog. The characters talk about bus routes, say, all the while .
Movie director Paul Greengrass has a sterling reputation. He knows how to put action onto the screen. Otherwise his movies are surprisingly small-scale. Take his new one, “Jason Bourne,” for example. In a furious fight late in the film, Bourne (.
Sometimes the instructions for assembly of an exercise machine or gas grill seem to have been translated by someone who only replaced the Korean or Chinese or Japanese words with English words. I find myself holding up the booklets and .
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