This summer, more than ever before, movie comedies have insisted on their timeliness by including a lot of expletives and references to sex acts and biological elimination in their dialog. The characters talk about bus routes, say, all the while .
Movie director Paul Greengrass has a sterling reputation. He knows how to put action onto the screen. Otherwise his movies are surprisingly small-scale. Take his new one, “Jason Bourne,” for example. In a furious fight late in the film, Bourne (.
Sometimes the instructions for assembly of an exercise machine or gas grill seem to have been translated by someone who only replaced the Korean or Chinese or Japanese words with English words. I find myself holding up the booklets and .
As viewers of thousands of hours of horror film footage will attest, there are only two things a scary movie might do that would kill the fun in it. It could explain too much. And it could show the nature .
The new Star Trek movie is called “Beyond.” It is about an incident that occurs three years into a mission undertaken by the crew of the Federation ship Enterprise. All the familiar characters are on board—Kirk (Chris Pine), Spock (.
During my childhood the great Broadway musical “Hello Dolly” ran for a long time. Carol Channing, who originated the title part, tired and was replaced with a series of famous actresses, including Ethel Merman, the singer for whom the show .
Apparently the people who supply money to movie-makers are not yet ready to let Brian Cranston play a completely new character. His break-out part was in the TV series “Breaking Bad” where he played a misfit in the illegal drug .
The crowd in the showing of “Mike and Dave Need Wedding Dates” was laughing considerably more than they would have been if they had just decided to have a good time no matter what the movie gave them. So probably .
About a month ago we were discussing the limits of Pixar’s animated film “Finding Dory” as an entertainment for adults. And less than a year ago we were discussing the effective story-telling in Aardman’s almost wordless “Shaun the .
From the point of view of theater owners, the prospect must be daunting. The studios depend more and more on revenue other than their share of ticket-revenue for first-run movies. Which means, among other things, that general-release films are available .
Stephen Spielberg has gone from being the director of “Jaws,” “Raiders of the Lost Ark,” and “E.T.” to being the director of “Bridge of Spies,” “Lincoln,” and “War Horse.” His descent may have been a slow, floating one. But .
The series of movies that began with the 2013 “The Purge” has been searching for something to be about. Now the third of the films is out. The third and weakest. The third and most distasteful. This time the movie-makers think .
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