Chuck Berry plays once a month at a bar in St. Louis. He’s 88 years old. But Bob Dylan is still out on the road, and I heard him play a show full of references to age in Kansas City .
The new “Poltergeist,” a re-make of Tobe “Texas Chainsaw Massacre” Hooper’s 1982 movie is the classiest horror film I’ve seen in a long time—at least since the terrific re-make of “Fright Night.” The new film, directed this time .
The business of making a sequel to a cozy sort of movie comedy seems as if it ought to be simple enough. Three years ago, when “Glee” was still a popular television program, the first “Pitch Perfect” movie earned a .
Until August, one can expect big, noisy, ticket-selling movies to be released about one a weekend. So it is a little odd that for the second weekend of May there was only one general release picture. And it is not .
A number of potentially interesting movies — “A Most Violent Year,” “Taken 3,” “Paddington,” and “Seventh Son”—are out or will soon be out on home viewing media. Actually April and May are not bad new-DVD months this year. If you want .
Summer movie season launches this weekend with the release of “Avengers: Age of Ultron.” Almost every weekend brings another high-profile sequel, reboot or blockbuster to enjoy with a bucket or popcorn and a dose of arctic air conditioning. The slate .
Perhaps the substantial buzz about the new sci fi film “Ex Machina” started because the movie’s writer and director is Alex Garland. He wrote the screenplays for “Never Let Me Go” and “28 Days Later,” two category films worth thinking .
Horror movie fans, who make up a sizable percentage of movie ticket-buyers, must have thought filmmakers couldn’t come up with a cheaper way to photograph a feature film than with the single hand-held camera. Beginning with “Blair Witch Project,” .
Tina Fey narrates this year’s Disney Nature Earth Day feature, “Monkey Kingdom.” Filmed in Sri Lanka, the nature documentary follows “Maya,” a low -ranking member of the toque macaque troop occupying the forest territory around a feature named castle .
Watching movies based on Nicholas Sparks’s romance novels will make moviegoers into cynics. And it may be that the latest in this string of chick flicks, “The Longest Ride,” will produce the most silent resistance to this kind of .
Simon Curtis, director of “My Week With Marilyn,” has given the story of his new film, “Woman in Gold,” just about the most vanilla treatment imaginable. It is a serviceable movie, rather than something new, and perhaps that’s what .
The seventh movie in the loosely-organized series beginning with “The Fast and the Furious” is now in our local twelve-plex. “Furious Seven” isn’t new or imaginative and it doesn’t mean anything or, frankly, make any sense. But there’.
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